CV
SELECTED EXHIBITIONS
2024
Salon Des Etrangers, Fondamenta Zattere Ai Saloni, Venice.
2021
#WalkCreate, online exhibition at https://walkcreate.gla.ac.uk/portfolio/untitled-work-in-progress-steve-smith/
2019
Empire II-Void, Venice.
Miniscule Venice, Via Garibaldi, Venice.
Fit the Slit 2, Alberoni Beach, Lido di Venezia.
Miniscule 2, Cross Lane Projects, Kendall.
Empire II, Museo de Arte Contemporaneo, Oaxaca.
2018
Empire II, Le100ecs, Paris. Rogue Galleries, Hastings. Galerija, Kontra, Zagreb. Haus Gallery/Freedom Square, Tallin. In Association with Super Pop, Madrid.
Protocol, Q-Park, Cavendish Square, London
2017
Empire II, Riva dei Sette Martiri, Venice, Italy. SPEKTRUM/Art Science Community, Berlin. Provincial Project Space, Kendall. Quai au Bois, Brussels. White Post Gallery, London. Unit 1 Gallery, London.
Fit the Slit, Alberoni Beach, Lido di Venezia.
2016
Big Deal No.7 – Space, 39-41 Whitcomb St, London.
2015
In Process, Project Space, The Forum, School of Media Arts & Design, University of Westminster, London.
The Fall of the Rebel Angels, Riva dei Sette Martiri, Venice.
2014
Situation, Williams Art, Cambridge.
Big Deal – Marvellous Mixups, Loud & Western, London.
2013
Big Deal 5, Q-Park, Cavendish Square, London.
Colony 55 for Directional Forces 3, Magazzini del Sale, Venice.
Chinese Open-Year of The Snake, Q-Park, Soho, London
2012
Big Deal 4, online, time limited curated film.
2011
The Fields Beneath, The UnShop, Camden, London.
Invasive Alien Species, Via Garibaldi, Venice.
2010
Art in Romney Marsh, All Saints Church, Burmarsh, Kent.
All Systems Go, Departure Gallery, Trident Way, Southall, London.
Miniscule, Oblong Gallery, Islington, London.
Liminopia, TangentProjects with The Travellers Box (collaboration between Karen Ay, Helene Kazan and Steve Smith).
2009
Kitchen Sink, The School Creative Centre, Rye, Sussex.
The Trash Vortex (as Curator), TangentProjects at Hackney Wicked, Various Sites, Hackney, London.
Big Deal 2, Bermondsey, London.
V22 presents The Sculpture Show – Oysters Ain’t curated by Simon Bill & Cedric Christie, The Almond Bldg, The Biscuit Factory, Bermondsey, London
2008
Art of Occupation, TangentProjects at Working Rooms, Dalston, London.
2007
Climate of Change, 235-244 Union Street, Southwark, London.
Peer Esteem, five years Gallery, Hackney, London.
Delicate Situations, Various Sites (Jan 07-Jan 08), Worldwide(www.delicatesituations.blogspot.com)
2006
Objects in Waiting, The End Gallery, Sheffield Hallam University, Sheffield.
PUBLICATIONS
2021
Book review of Stefan Szczelkun. 2020. Silence!. London: Routine Art Co. ISBN 978-1-87073-622-0. p/bk. Journal of Art & the Public Sphere. Vol 9, No. 1 & 2, 2020.
2017
‘The Barbican as a Site of Forgetting’ in Projecting Memory, IRF Press.
Empire II. (exhibition catalogue)
2015
In Process, Centre for Research in Art and Media, University of Westminster. (exhibition catalogue)
The Fall of the Rebel Angels. (exhibition catalogue)
2013
‘Book review of Nick Papadimitriou. 2012. Scarp: In Search of London's Outer Limits. London: Sceptre. 271pp. Hardback. ISBN: 9781444723380’, Graduate Journal of Social Science, Visual Methodologies, Vol 10, Issue 2, May 2013.
SELECTED CONFERENCES/TALKS/WORKSHOPS
Apr 2017 Tasty and Smelly. Tate Exchange at Tate Modern.
Oct 2016 Language and Narrative in Museum Exhibition. P21 Gallery, London. (with Melissa Forstrom Al Kadhi and David Francis) (Moderator)
Apr 2016 Spatiality & Temporality. Interdisciplinary Research Foundation, Warsaw, Poland. (‘The Barbican as a Site of Forgetting’.)
Mar 2016 UoW English Literature and Cultural Studies Research Seminar (respondent to Kaja Marczewska’s ‘The Iterative Turn’.)
Sep 2015 Mnemonics 2015-Memory & Materiality. Kings College, London. (‘The Palimpsestuous Artwork – Re-inscribing occluded time on a site’.)
July 2015 Mapping the Museum Territory. P21 Gallery, London. (‘A Practice of Mapping Territory or Site’.)
Jan 2014 ‘The Art School: The Future for ‘Theory’?’, Institute of Contemporary Arts, London. (‘The Future of Art as Theory’.)