"Steve's practice is a fascinating combination of things. It’s low (if not almost no) tech, sensitive, delicate, transitory, and terribly powerful for these reasons. It’s well informed by the history of minimalism, conceptualism, and post-studio practice. It’s conceptually sophisticated. And it pays close attention to, and has a real understanding of, its use of materials – their materiality, and historicity, and also of how such materials can be mobilized for political, poetic, and aesthetic ends."

Dr Marquard Smith, Editor-in-Chief of the Journal of Visual Culture